Friday, August 28, 2009

Gold Leaf Flourishes while in London

Today, was a study of contemporary work.

After an amazing vegan lunch at Saf, we toured several galleries including Saatchi & Stolen Space.

Sylvia Ji is a painter from San Francisco. I have followed her work and have collected limited edition prints of hers for a few years now. But my timing is always off, because I have never had the opportunity to view a hanging show.

A couple of years ago, while we were in San Francisco, we went to White Walls only to arrive to a gallery in complete transition. A new group show was just being uncrated and nothing was hanging. The owner, Justin, was very hospitable and said we could mill through the new arrivals if we wanted to.

Ji's show had just ended and I couldn't find any of her paintings. I was disappointed that we had missed the remnants of her show and that her work had been removed. As I sifted through the new arrivals, I spied a loose painting sitting next to a column facing inward. I picked it up and in my hands was an original Sylvia Ji - I gasped! It had already been sold and was waiting for it's new owner to retrieve it. But for the next 5 minutes, I closely looked at Till Death in full detail, I was in bliss! Layers of translucent glazes and gold leaf detailings in the roses & the bees were revealed. Gustav Klimt would be proud.



Back to present day.

I knew that Stolen Space was hosting Sylvia Ji's first London solo show. The opening wasn't until the following week, but I was hoping that maybe we could get a glimpse of the new work. I mentioned to the gallery attendant working that afternoon that we had come from afar. If Sylvia's work had already arrived, I would be forever grateful if there was a possibility to view it.

To my surprise, we were lead to the back room for a private viewing of the Sylvia Ji's that had just been unpacked! All of them were lovely and incredible. Hemlock is my favorite from this show.

Bursting with gold!

Thursday, August 27, 2009

Basking in 15th Century Paintings

While in London, we opted out on returning to the Tate Modern and instead spent a good part of one day at The National Gallery. It was well worth it, the collection at The NG is breathtaking and classic.

As I continue my study of unique color pallets, I spent most of my attention on 15th century masterpieces. Such as Jan van Eyck's painting The Arnolfini Portrait (1434).



He knew how to create an illusion with pigment by developing a stable varnish that would dry at a consistent rate. He created this by mixing linseed and nut oils with resins. The result is a beautiful translucent image. The intensity of the color pigment also traps light that translates into brilliance. An incredible development in oil painting. Standing before this painting was intense, I've known of it since I was quite young.

There is a huge portion of the NG dedicated to the Italian Renaissance. Gallery after gallery full of Botticelli, Bellini & Crivelli amongst others. I was drawn to Carlo Crivelli's work the most. It was almost impossible not to, a huge gallery was dedicated to his work. A great technical talent, his work was visually intense and the gold leaf accents he used really brought out a 3-D element. The Annunciation, with Saint Emidius (1486) is now a favorite of mine. It really speaks to me on many levels.



After leaving the NG for the day, I was on a natural high. I viewed hundreds if not a couple thousand masterpieces and was visually ignited from this experience.

Thursday, August 20, 2009

Sneak Preview


NEW: Checkbook Covers - Wallets - Passport Covers
Just a candid shot, to show you the products that will be at this weekend's show.

Friday, August 14, 2009

Getting ready for this show...


I have been busily working on new products for this upcoming show.
If you have time to stop in at Cha Cha over the weekend, please do. It would be great to see you.
http://www.chachahair.com